Vases depicting “La fuite d’Elise” (left) and “Tom et Evangeline” (right), attributed to Hache et PépinLehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 19". (Courtesy, Museum of Arts and Sciences, Daytona Beach, Florida.)
Charles Bour, “Tom et Evangeline,” lithograph, from Harriet Beecher Stowe, La case de l’oncle Tom, Paris, 1853. (Courtesy, Harriet Beecher Stowe Center, Hartford, Connecticut.)
Joseph Bettannier, “La fuite d’Elise,” lithograph, from Harriet Beecher Stowe, La case de l’oncle Tom, Paris, 1853. (Courtesy, Harriet Beecher Stowe Center.)
Map of France showing locations of Limoges, Vierzon, and Paris. (Map, Wynne Patterson.)
Porcelain vase exhibited by Haughwout and Dailey at the Crystal Palace Exposition, 1853. From Benjamin Silliman, World of Science, Art, and Industry, Illustrated from Examples in the New-York Exhibition, 1853–54 (New York: Putnam, 1854), p. 129.
Nathaniel Orr and Company, “Saleroom, Main Floor, Haughwout Building, New York.” Wood engraving, reproduced in Cosmopolitan Art Journal 3 (June 1859).
Vase depicting “Tom et Evangeline,” attributed to Hache et Pépin-Lehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 19". (Illustrated in Stéphane Faniel, Le XIXe siècle français [Paris: Hachette, 1957], p. 92.)
Vase depicting “La fuite d’Elise,” attributed to Hache et PépinLehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 19". (Courtesy, Collection of Brooke Eastlick; photo, Gavin Ashworth.)
Vase depicting “Tom et Evangeline,” attributed to Hache et Pépin-Lehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 19". (Courtesy, Abraham Lincoln Library and Museum; photo, Lawrence Mott.)
Vases depicting “Tom et Evangeline” (left) and “La fuite d’Elise” (right), attributed to Hache et PépinLehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 19". (Courtesy, Collection of Brooke Eastlick; photo, Gavin Ashworth.)
Vase depicting “Tom et Evangeline,” attributed to Hache et Pépin-Lehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 19". (Courtesy, Collection of Brooke Eastlick; photo, courtesy of Freeman’s Auction House, Philadelphia.)
Vases depicting “La fuite d’Elise” (left) and “Tom et Evangeline” (right), attributed to Hache et PépinLehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 11 1/2". (Courtesy, Harriet Beecher Stowe Center.)
Vase depicting “Tom et Evangeline,” attributed to Hache et Pépin-Lehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 11 1/2". (Courtesy, Collection of Brooke Eastlick; photo, Gavin Ashworth.)
Vases depicting “Tom et Evangeline” (left) and “La fuite d’Elise” (right), attributed to Hache et PépinLehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 11 1/2". (Courtesy, Memphis Brooks Museum of Art.)
Vases depicting “La fuite d’Elise” (left) and “Tom et Evangeline” (right) attributed to Hache et PépinLehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 11 1/2". (Courtesy, Baltimore Museum of Art, Albert Cousins Memorial Fund, and purchased as the gift of Ann Bosworth; photo, Mitro Hood.)
Candlesticks depicting “Tom et Evangeline” (left) and “La fuite d’Elise” (right), attributed to Hache et PépinLehalleur, Vierzon, France; retailed by Haughwout and Dailey, New York, New York, 1853–1870. Biscuit and glazed hard-paste porcelain. H. 8 1/2". (Courtesy, Collection of Brooke Eastlick; photo, Gavin Ashworth.)